Gaspard de la Nuit: Ravel’s complex, atmospheric, dark piano masterpiece. I’m learning all 22 minutes of it right now, and the music is consuming me unlike any other piece has before.
For three weeks, Sing For Hope has scattered 60 pianos painted by local artists all around the five boroughs of New York City. After today, they will be transported to their final homes: NYC public schools.
I don’t know why I decided to challenge myself to visit as many of them as possible — especially during a pretty busy stretch in med school — but that’s what I did! Continue reading Finding the SFH Pianos
I’m working on three solo piano pieces composed by Ravel right now, and they’re all kind of obnoxiously difficult. What are they? And why oh why?
A hospital floor is so noisy. Despite posting signs reading “Quiet is Healing” in the halls, it’s mostly an iatrogenic cacophony.
Some of it is necessary distraction, like IV Pump alarms, telemetry alarms, bed alarms, telephone rings, beeper beeps (lol, yes still a thing). Sadly, they’re all dissonant tones! Phones are B-E trills, heart monitors are a high B-ish, beepers are mostly F#. Why couldn’t they be harmonic in the same key so that when they inevitably pile up it’d be a pleasant chiming instead of this din of ding-dings we have to yell over? Continue reading Music Against Medicine
I wrote this post in the style of a spoken word performance. It is Part 3 of 3 about my stance on surgery, but it is meant to stand alone. Continue reading My Hands Shake
I want to tell you about a piano piece. If technologically feasible, please listen to this recording while reading. Continue reading L’isle Joyeuse